Pérez prado wikipedia español

Patricia perez prado

Late twentieth-century lounge music revival enthusiasts embraced the bandleader's catchy sound, and still others applauded his role as one of the most influential and talented Latin bandleaders of the era. His father was a newspaper man and his mother taught school. As a child, he studied classical piano at the Principal School of Matanzas under the direction of Rafael Somavilla.

He later went on to play piano and organ in local venues and continued to offer his skills as a pianist to small orchestras and in cabarets after moving to Havana in Radio audiences began to take note of the young musician when he appeared on Radio along with Orquesta Cubaney.

How tall was pérez prado

Prado's big break came when he was invited to join the Orquesta Casino de la Playa, Cuba's most popular band. According to Latin Beat magazine, Orlando Guerra "Cascarita" loved Prado's high-energy arrangements, and invited him to become the orchestra's pianist and arranger. Prado's passion for experimentation, however, also hindered the growth of his career.

So bold was his tinkering with traditional rhythms not to mention the inclusion of trumpets and jazz elements , that fans began calling Prado's hot new sound "diablo" devil. In a Cuban musical environment dominated by conservatives who were interested in preserving established song frameworks, Prado found it increasingly difficult to find work.

In he left Cuba for mainland Latin America and eventually decided to settle in Mexico, where he became well-known for his work on Cuban radio. Mexico City in the late s was a major media center, and its musical trends received attention in the United States. When executives for RCA Victor in New York City heard a demo that Prado had recorded in , they were interested, but told him his music was too complicated.

Following their advice, he pared down and simplified the music. The mambo was eagerly embraced by a generation of New Yorkers of all ethnicities, who flocked to the "temple of mambo" called the Palladium Ballroom. Many jazzmen who stopped by the fashionable club became inspired to incorporate Latin music into their recordings.